Asian Drama

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Mizushima Satoru is a designer, who prefers traditional things like handmade items and handwritten works. One day, he happens to meet a mysterious woman, Miharu Miyuki, at the cafe named Piano. She seems to have similar values to him and he is attracted to her. Mizushima Satoru asks for her cellphone number, but she doesn’t own a cellphone. They make a promise to meet at the cafe every Thursday. Since then, Mizushima Satoru & Miharu Miyuki meet every Thursday and their relationship develops romantically. Mizushima Satoru decides to propose her, but, on the day he is going to propose her, Miharu Miyuki doesn’t show up at the cafe.

(Source: AsianWiki)

Adapted from the novel "Analog" (アナログ) by Beat Takeshi (ビートたけし).

Duration: 2 hr. 0 min.

Content Rating: G - All Ages

Ratings: 8.2

Legend has it that after Pangu created the world, in order to stabilize the cosmos, the Grand Ancestor Hongjun took the Yin and Yang energies of heaven and earth, refining them into the Profound Heaven Divine Sword using the power of the universe. It stood at the pinnacle of the Nine Heavens, guarding all living beings below. One day, Donghuang Taiyi and Demon Emperor Di Jun engaged in a fierce battle in the heavenly realm. Unintentionally, they disturbed the Profound Heaven Divine Sword, which was in the midst of cultivation. The sword body and scabbard were knocked down to the mortal realm by the combined spiritual power of Taiyi and Di Jun. The sword body was reborn in the Xingxiang Town Zhou Mansion, becoming Zhou Qian, the young master of the Zhou Mansion, losing both memory and spiritual power. The scabbard, carrying memories and residual spiritual power, fell into the Peach Blossom Forest, and became known as the Peach Blossom Fairy due to her efforts to help the world.

In his 40s, the stuntman Woo-seok wishes to go back to the prime of his life in 1997, before a facial scar ended his acting dreams. One day, he purchases five talismans from an unknown monk, hoping to change his life. However, during a film shoot, a car accident transports him back to his high school days in 1997. Now living as the high school student, he embarks on a project to revamp his past life, which was filled with a troublesome father, son, and husband.

After the British company’s officer Clive takes over the kingdom of Mirza, Princess Zafira and Khudabaksh aka Azaad form a band of rebel pirates who swear to defeat the English officer and win their freedom back. The British Company in...

Fumie (Sawa Suzuki) marries yakuza Tetsuo (Masayuki Imai) and she gives birth to their son Tetsuya. Fumie raises Tetsuya with love, but while she experiences tough times she becomes addicted to drugs. After Fumie receives treatment at a hospital for her addiction, she moves to her parents' house with Tetsuya. At her parents' home, Fumie experiences withdrawals and is hospitalized again. Meanwhile, Tetsuya is sent to an orphange until he graduates from elementary school. Tetsuya grows up lonely, missing his mother. He becomes interested in an employee who plays the guitar. Finally, Tetsuya (Yuma Ishigaki) leaves the orphanage and looks for his mother. Tetsuya is shocked to learn that his mother Fumie lives with new man.

After accidentally causing the death of his partner during a hostage situation, Wu Young-min quits the police force to work for his uncle as head security of Dreampia, an immense shopping center. Dreampia is currently in the rebuilding stages as a fire destroyed parts of it five years ago. The re-opening was scheduled in a few days, until some strange murders begin to occur in the building. It seems that the victims, all employees of the mall, have committed suicide in very gruesome and unconventional ways. Young-min is very suspicious about the police explanation, and starts his own investigation, but unfortunately for him, an old acquaintance, Ha Hyun-su, is in charge of the police investigation. Hyun-su still blames Young-min for the death of their friend and is not interested in cooperation. The more clues they stumble on, the more strange and unnatural the truth becomes.

The story begins with a detective named Hyun Soo, who traces a girl who disappeared to the edge of a cliff with only one suicide note left on the night of the typhoon.

"Trivial Matters" is exactly what it says on the packet. Collection of seven vignettes -- some sad, others sardonic -- have little in common other than a concern with the small things of life and a throwaway attitude very typical of its creator, Pang Ho-cheung (aka Edmond Pang). Hard on the heels of his much more formal "Exodus," pic may baffle those unfamiliar with the Hong Kong writer-director's insouciant oeuvre, and will be best appreciated at Asiaphile events. Pic did so-so biz on local release last December. Though Pang is best known internationally for "Isabella" (in many ways his least typical movie), "Trivial Matters" is closer in spirit to earlier pics like "Beyond Our Ken" and "AV," in which the audience is never sure just how seriously to take what's being shown. Based on Pang's own collection of short stories, it also has a scattergun success rate that's also very characteristic of him. Best segs are the third and fifth, both of which are constructed as mini-movies rather than casual jottings, and are nicely played by their separate casts. In "It's a Festival Today," a girl (Isabel Chan) moves in with her b.f. (Eason Chan) but doesn't want to have sex; finally, at Christmas, she agrees to service the poor guy, which leads him to desperately hunt the calendar for other holidays in order to get pleasured again. Punchline is blackly witty. Tone in "Ah Wai, the 'Big Head,' " the longest and most slickly lensed of the bunch, is more wistful, sketching a friendship between two high schoolers -- quiet Kei (Stephy Tang) and spacey Ah Wai (Gillian Chung) -- as they drift apart but meet again at a class reunion. Stretching from the late '80s to the mid-'90s, and based around their shared liking for Cantopop legend Danny Chan, yarn has a lovely period feel and subtle chemistry between the two actresses that packs quite an emotional punch at the end. Other segs range from passing gags -- thesp Edison Chen as a dirty-mouthed pick-up artist -- to self-consciously clever playing with film form. The simplest, but with a piercing moment of sadness, is the sixth episode, "Recharge," centered on a hotel-room assignation between a businessman (Chapman To) and a Mainland hooker (Zhang Zheng). At a time when Hong Kong production has become increasingly conventional and middle-class, pic is notable for its natural, undogmatic approach to nudity and drug use. Casting of names in all the segments -- including Mainland helmer Feng Xiaogang in a witty cameo as the account manager of an assassination agency -- maintains interest for auds able to recognize the faces. However, general viewers are more likely to agree with pic's opening intertitle: "Life is rather trivial in hindsight."

A story of an economist who seeks freedom after making the wrong decision of going to the North, and searches for the family he lost while seeking asylum in Germany.

Ichiko (Ai Hashimoto) lived in a big city, but goes back to her small hometown Komori, located on a mountain in the Tohoku region. She is self-sufficient. Ichiko gains energy living among nature and eating foods she makes from seasonal ingredients.