Asian Drama

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Mizushima Satoru is a designer, who prefers traditional things like handmade items and handwritten works. One day, he happens to meet a mysterious woman, Miharu Miyuki, at the cafe named Piano. She seems to have similar values to him and he is attracted to her. Mizushima Satoru asks for her cellphone number, but she doesn’t own a cellphone. They make a promise to meet at the cafe every Thursday. Since then, Mizushima Satoru & Miharu Miyuki meet every Thursday and their relationship develops romantically. Mizushima Satoru decides to propose her, but, on the day he is going to propose her, Miharu Miyuki doesn’t show up at the cafe.

(Source: AsianWiki)

Adapted from the novel "Analog" (アナログ) by Beat Takeshi (ビートたけし).

Duration: 2 hr. 0 min.

Content Rating: G - All Ages

Ratings: 8.2

Legend has it that after Pangu created the world, in order to stabilize the cosmos, the Grand Ancestor Hongjun took the Yin and Yang energies of heaven and earth, refining them into the Profound Heaven Divine Sword using the power of the universe. It stood at the pinnacle of the Nine Heavens, guarding all living beings below. One day, Donghuang Taiyi and Demon Emperor Di Jun engaged in a fierce battle in the heavenly realm. Unintentionally, they disturbed the Profound Heaven Divine Sword, which was in the midst of cultivation. The sword body and scabbard were knocked down to the mortal realm by the combined spiritual power of Taiyi and Di Jun. The sword body was reborn in the Xingxiang Town Zhou Mansion, becoming Zhou Qian, the young master of the Zhou Mansion, losing both memory and spiritual power. The scabbard, carrying memories and residual spiritual power, fell into the Peach Blossom Forest, and became known as the Peach Blossom Fairy due to her efforts to help the world.

In his 40s, the stuntman Woo-seok wishes to go back to the prime of his life in 1997, before a facial scar ended his acting dreams. One day, he purchases five talismans from an unknown monk, hoping to change his life. However, during a film shoot, a car accident transports him back to his high school days in 1997. Now living as the high school student, he embarks on a project to revamp his past life, which was filled with a troublesome father, son, and husband.

A hilarious comedy about Shuhei Yamamoto, a college student, who must join the school's sumo team in order to graduate

A group of seven friends decide to play a game at a dinner party. Placing each of their phones on the table, they agree to share the content of every message they receive. However, it soon appears that this is...

Inspired by Shakespeare's classic of the same name. Yeon-su is a beautiful but naughty young woman whose family became millionaires overnight. All men fall in love with her at first sight, but Jeong-do, the only son of a respected family, has no regard for her. Yet despite this, the two fall in love and get married. However, their conflicting families shake up their wedded bliss.

A friendship is formed between an ex-gangster, and two groups of hitmen - those who want to protect him and those who were sent to kill him.

A man who gave up on himself is redeemed by new and unexpected challenges in this drama from Hong Kong filmmaker Johnny To. Sze-To (Louis Koo) was once a respected judo champion, but he became jaded and lost interest in the sport. Now, Sze-To is an alcoholic who runs a night club and wastes his spare time by spending a massive bankroll he stole from a rival in fight promotion on gambling and liquor. When Sze-To learns that the judo master who was his mentor and teacher has died, it knocks a hole in the wall of booze and despair he's built around himself, and soon two new challenges present themselves. Mona (Cherrie Ying) is an aspiring singer trying to break away from her overly controlling father who arrives at Sze-To's club looking for a gig -- and won't go away until she gets one. And Tony (Aaron Kwok) is a young martial arts prodigy who has heard of Sze-To's former skills in the judo ring; eager to test his skills against a true master, Tony challenges Sze-To to a match, encouraging Sze-To to begin familiarizing himself again with the art of the gentle way.

Pubescence is a 2011 Chinese teen romantic film directed and written by Guan Xiaojie, starring Zhao Yihuan and Wang Yi. It is the first film in the Pubescence theatrical series. The film was a box-office hit and spawned three direct sequels: Paradise Lost, Pubescence 3, and Pubescence 4. It was released on 20 July 2011. The film is regarded as China's American Pie.

Fumie (Sawa Suzuki) marries yakuza Tetsuo (Masayuki Imai) and she gives birth to their son Tetsuya. Fumie raises Tetsuya with love, but while she experiences tough times she becomes addicted to drugs. After Fumie receives treatment at a hospital for her addiction, she moves to her parents' house with Tetsuya. At her parents' home, Fumie experiences withdrawals and is hospitalized again. Meanwhile, Tetsuya is sent to an orphange until he graduates from elementary school. Tetsuya grows up lonely, missing his mother. He becomes interested in an employee who plays the guitar. Finally, Tetsuya (Yuma Ishigaki) leaves the orphanage and looks for his mother. Tetsuya is shocked to learn that his mother Fumie lives with new man.

“Life's more fun when you're an idiot,” says one of the characters in FINE, TOTALLY FINE and this movie is Exhibit A in the case against brains. Set in the dusty margins of Tokyo, FTF is a surreal comedy that's a spiritual successor to previous festival hits like THE TASTE OF TEA, and it charts a lazy love triangle between the world's clumsiest woman, Akari (Kimura Yoshino of Cannes hit BLINDNESS and SUKIYAKI WESTERN DJANGO), who can't even open a box of Kleenex without setting off destructive shock waves, a tamped-down hospital administrator Hisanobu (Okada Yoshinori) and his brother, Teruo (Yoshiyoshi Arakawa), a clueless part-time park keeper who is so unconcerned with the world around him that he doesn't even realize he's working part-time (“Why do you think you have so much free time?” a co-worker asks). Teruo is obsessed with building the world's greatest haunted house, one that will terrify grown-ups but he'd rather spend his time talking about it than doing any actual work. It's a star-making performance by Arakawa who has appeared in dozens of Japanese films playing everything from a cloud of flying sperm to Vinnie Jones' translator, and who can get a laugh from something as simple as typing on his computer. Gormless and weird, his Super! Ultra! Deluxe! deadpan is this movie's stylistic touchstone. First time director, Yosuke Fujita, was a hospital janitor for eight years before making FINE, TOTALLY FINE and this movie is full of characters who are all turning 30 and going nowhere fast, and what stands between them and true happiness are the exact same things that ruin all of our lives: the magic marker that's going dry just when you really need it most, a disappointing corndog or even that horrible person who won't let you gracefully escape their boring company before three o'clock in the morning. This is a movie made by someone who is cautious about strong emotions and who treats them with a hushed respect. There isn't a big moment of emotional catharsis here, instead the closest these characters come to nirvana is when they're all sitting quietly together, listening to the rain. Life can be an unfair string of humiliating indignities, but sometimes it gives you these moments where you can't possibly imagine wanting anything more