Asian Drama

Eating around other people is a struggle for salaryman Yutaka, despite his talent for cooking. All that changes when he meets Minoru and Tane—two brothers, many years apart in age—who ask him to teach them how to make his delicious food! Yutaka soon finds himself having a change of heart as he looks forward to the meals they share together.

Adapted from the manga "Bokura no Shokutaku" (僕らの食卓) by Mita Ori (三田織).

Inspector Sugishita Ukyo from the Tokyo Metropolitan Police Department’s Special Missions Unit makes brilliant deductions and cracks difficult cases with his partner Kaburagi Wataru who used to be a career bureaucrat from the Ministry of Justice.

Set in the near future, a high school gives priority to privacy protection. The names of teachers and students are not revealed. 21 female high school students are locked in a classroom and their vision is shown all over the world in real time. The only way to escape is to receive many "good" marks from the audience.

Set in the near future, a high school gives priority to privacy protection. The names of teachers and students are not revealed. 21 female high school students are locked in a classroom and their vision is shown all over the world in real time. The only way to escape is to receive many "good" marks from the audience.

Morio Kiyomi was the subject of envy, when she married Dr. Yanagisawa Shigero, the owner of Yanagisawa Clinic. Although the marriage brought her status and wealth, Kiyomi was not blessed with children. The couple then decided to go through the In Vitro Fertilisation program, and soon Kiyomi successfully gave birth to a little baby. Unfortunately, the baby was born with an illness that can only be cured through stem cell transfer, and so the Yanagisawas decided to have another baby in order to save their existing child. However, Kiyomi's body is too weak to have another child, and so she approaches her estranged younger sister, Manami, to be the surrogate mother. Unbeknownst to Kiyomi, Manami is actually very bitter about her good fortune in landing a rich man, and is plotting vengeance on her.Kiyomi is creating another life just so she can save her child, without any consideration on the ethics of the decision. Is it maternal love? Or just plain egotism? 

Mitsuko and Masaru Kohmyoji are protected by a young man named Jiro, who is actually the Android Kikaider created by their father Dr. Nobuhiko Kohmyoji, who work together to stop the evil robots created by his rivals.

Based on the same-titled novel, the drama is set in the year 1964, the year the Olympics were held in Tokyo. A nation trying to rebuild its economy post world war II, Japan was eager to show the world what it had to offer. Amidst all the excitement and enthusiasm, two fires had broken out consecutively; at the private residence of the Chief of Police, Suga Shuichiro, and then at the Nakano Police Academy. However, both incidents were hushed up, and even Detective Ochiai Masao, from Division One MPD (Metropolitan Police Department) had to find out about it from his fellow colleague. Ochiai was puzzled as to why no investigations were being carried out and it soon came to light that prior to the first fire at the Chief's home, a threatening letter had been sent to the MPD. In view of the upcoming Olympics, everyone at the MPD were feeling jittery over the letter and the arson, and thus a team was set up to ensure the safety of the public during the event. Ochiai and his team mates were to carry out the investigation secretly. Information came to Ochiai, that some 25 tubes of dynamite were stolen from a gunpowder factory. While questioning the owner, Ochiai was introduced to Shimazaki Kunio, a poor student from Akita prefecture, attending Tokyo University and working part-time there. Suspecting him of the crime, Ochiai started digging around into Shimazaki's life and was surprised to find out that his own sister, Yumi, was actually dating Shimazaki!

The new season begins with a special case that leads the duo to the Consulate-General of Japan in Hong Kong. It’s the first time for ‘Aibou’ to expand its setting to a foreign location since they went to London in the second season. Mizutani commented that it perfectly suits inspector Sugishita Ukyo, since Hong Kong used to be a British colony and Ukyo is interested in everything British. His new partner is called ‘Kai Toru’. He’s played by Narimiya Hiroki and is going to breath new life into the series. More details about him can be found here and here, but we will have to wait until the first episode to find out how they end up as partners.

A series of suspicious deaths, starting with that of her boyfriend Kawazu Masayuki, prompts mystery novelist Yuki Rikako to investigate. She discovers that all the victims were once passengers on the same cruise ship a year ago and involved in an accident that left one man dead. Rikako must find out what really happened during that outing before more casualties result.

At the Metropolitan Police Department (MPD) Headquarters, the core of the Japanese Police, an unprecedented hostage situation in the history of MPD breaks out. The hostages are 12 top executives of the MPD: Superintendent-General Tamaru, Deputy Supt-Gen Hasegawa and bureau chiefs. The conference room, where the perpetrator and the executives are held hostage, is completely surrounded by Riot Police Squad and Special Investigation Team (SIT). The perpetrator’s motives are unknown and he makes no demands.

Meanwhile, two gunshots echo from the conference room. Ignoring Sugishita’s strong opposition, Nakazono orders Riot Squad and SIT to storm the conference room. What they find there is Yaegashi, shot and dead. Gunpowder residue is found on all the hostages, but who fired the gun? This cannot be determined. While released from captivity, all 12 hostages become suspects.

In response to Supervisor Okouchi’s questioning, all the hostages give ambivalent testimonies that the gun went off while they struggled to neutralize the perpetrator, and that they do not know who pulled the trigger. Concerning Yaegashi’s demands, all remain silent. Becoming strongly suspicious of this, Sugishita and Kanbe gains cooperation of Chief Kakuta and others, and undertake their own question of the executives, who were taken hostage.

On the other hand, receiving the report of the hostage case, National Police Agency Director Onoda, along with National Police Agency Commissioner Kaneko, begins to make disturbing moves.

Kanbe Takeru chooses to remain in the Special Missions Division, but he seems to continue to keep a distance from his direct superior, Sugishita Ukyo. One day, the dead body of the popular female novelist, Mizumoto Shoko, is found in her own home. The possibility of murder fuelled by a grudge is high from the situation at the crime scene, and a male stalker emerges in the line of investigation. However, Ukyo focuses his attention on a missing section from a document package for a new book that Shoko was working on. It is eventually determined that Shoko was attempting to write a novel with an environmental theme which is completely different from her style of writing so far. Ukyo and Kanbe try to get information from the employees at a trading conglomerate that Shoko had interviewed.

Almost defying description, Miike's film opens with found documentary footage about sperm-production in young males and then turns to a graphically violent recreation of the execution in 1865 of the 28-year-old Okada Izo, a low-born samurai who killed in the service of the anti-shogun rebel Hanpeita Takechi. Fast-forward through 15 decades of Japanese history: suddenly Izo's spirit possesses the body of a street-sleeper in an alley of Tokyo's financial district.

The reincarnated assassin goes on a killing rampage through time and space, from the Warring States period to the day after tomorrow, slaughtering everyone from a Buddhist elder to the prime minister ("Beat" Takeshi in one of dozens of star cameos), not forgetting his own mother. Nothing can stop him, because Izo is negation itself: the contradiction spewed up by the "perfect system" that is Japan. Nothing is immune to his attack, except perhaps the godlike emperor (Matsuda Ryuhei) and the maternal goddess of mercy (Momoi Kaori). Standing to one side, watching and commenting in song, is Tomokawa Kazuki, a radical folkie from the 1960s.

"100 Tales of Horror" is the follow-up to "Onmyoji Abe no Seimei" in the Tuesday night "Super Jidaigeki" time slot. Computer graphics and special effects bring a new face to these stories of horror that have been told for many years.

This is a love comedy that takes you behind the scenes of the latest bridal businesses, as well as the human drama of engaged couples, seen through the wedding planners' eyes, as they help to put on weddings.

Toru Oomori works in the accounting department of a medium-sized firm. Unable to escape restructuring by his company, he gets sent to work at an affiliated company, "Sweet Bridal," as its president. Toru realizes his days as a salaried worker are numbered. That's why he's determined to increase sales, and regain lost ground. But there's just one major problem though... An incident that happened one year ago makes work here, very miserable.