Asian Drama

N/A

Chisato and Mahilo are two high school girls who are about to graduate. They also happen to both be highly skilled assassins. When the organization they work for orders them to share a room, the relationship between the pair quickly turns sour. However, when they find themselves targeted by the yakuza, the girls quickly realise that they will have to find a way to work together.

Season 5 to Keishicho Zero Gakari.

Episodes: 10

Hana comes from a family that has been thieves for generations. Hana refuses to become a thief and she wants to live a normal life. She currently works as a librarian and she is dating Kazuma, who works as a public officer. She hears that Kazuma’s family are all public officers. One day, Hana visits Kazuma’s family. She discovers that Kazuma ’s family, including Kazuma, are actually all police officers.

Hana gets involved in a case and falls into trouble. To help Hana, Kazuma helps Hana’s family commit theft.

Himokura Tetsu is a scientist who specialises in the study of parasites. He loathes people and is very sadistic. Tetsu bought a huge botanical garden in Hakone which he converted into his home and lab. He holes up in the conservatory where he researches his favourite parasites. His right arm is fitted with a black robotic hand. However, it is not known how this artificial hand came about. He is an eccentric genius who solves a series of difficult cases with astounding scientific methods.

Kenichi Endo, Ren Osugi, Tomorowo Taguchi, Susumu Terajima, Yutaka Matsushige and Ken Mitsuishi all receive offers to take part in a big budget drama series with a famous lead actor and world famous director. To study their roles and relationships, the director asks the six supporting actors to live together for 3 months at a share house. The actors begin their temporary living arrangement. An incident from 10 years ago though causes the actors to hold resentment.

Detectives Sakurai Shintarou and Hikage Koichi are partners. They are also corrupt and often blackmail criminal groups and seize their money. One day, the Chief of Police becomes aware that 2.5 million yen in seized money is missing. He orders Shintarou and Koichi to bring the money in by tomorrow morning. Shintarou and Koichi are in big trouble. They then read an article about a pension fund embezzlement case involving 6 billion yen. The prime suspect of the pension fund embezzlement case spent most of that money, but he has 2.5 billion yen left.

The new season begins with a special case that leads the duo to the Consulate-General of Japan in Hong Kong. It’s the first time for ‘Aibou’ to expand its setting to a foreign location since they went to London in the second season. Mizutani commented that it perfectly suits inspector Sugishita Ukyo, since Hong Kong used to be a British colony and Ukyo is interested in everything British. His new partner is called ‘Kai Toru’. He’s played by Narimiya Hiroki and is going to breath new life into the series. More details about him can be found here and here, but we will have to wait until the first episode to find out how they end up as partners.

In the Susukino red light district of Sapporo, a private detective (Yo Oizumi) drinks alcohol with his driver Takada (Ryuhei Matsuda) in his favorite bar. There he receives a phone call from a woman who identifies herself as Kyoko Kondo. The woman asks the detective to complete a simple task. The detective, having an excellant sense for danger, thinks the work is easy and accepts the case. The next day he begins the investigation.

Not longer after he starts, the private detective is kidnapped and buried under snow. He barely manages to get away thanks to the arrival of his driver Takada. The detective is now angry and vows revenge. He then receives another phone call from Kyoko Kondo. The private detective and Takada investigate further and they soon comes across a mysterious woman named Saori (Koyuki), a mob boss named Toshio Kirishima (Toshiyuki Nishida) and four murder cases ...

At the Metropolitan Police Department (MPD) Headquarters, the core of the Japanese Police, an unprecedented hostage situation in the history of MPD breaks out. The hostages are 12 top executives of the MPD: Superintendent-General Tamaru, Deputy Supt-Gen Hasegawa and bureau chiefs. The conference room, where the perpetrator and the executives are held hostage, is completely surrounded by Riot Police Squad and Special Investigation Team (SIT). The perpetrator’s motives are unknown and he makes no demands.

Meanwhile, two gunshots echo from the conference room. Ignoring Sugishita’s strong opposition, Nakazono orders Riot Squad and SIT to storm the conference room. What they find there is Yaegashi, shot and dead. Gunpowder residue is found on all the hostages, but who fired the gun? This cannot be determined. While released from captivity, all 12 hostages become suspects.

In response to Supervisor Okouchi’s questioning, all the hostages give ambivalent testimonies that the gun went off while they struggled to neutralize the perpetrator, and that they do not know who pulled the trigger. Concerning Yaegashi’s demands, all remain silent. Becoming strongly suspicious of this, Sugishita and Kanbe gains cooperation of Chief Kakuta and others, and undertake their own question of the executives, who were taken hostage.

On the other hand, receiving the report of the hostage case, National Police Agency Director Onoda, along with National Police Agency Commissioner Kaneko, begins to make disturbing moves.

Almost defying description, Miike's film opens with found documentary footage about sperm-production in young males and then turns to a graphically violent recreation of the execution in 1865 of the 28-year-old Okada Izo, a low-born samurai who killed in the service of the anti-shogun rebel Hanpeita Takechi. Fast-forward through 15 decades of Japanese history: suddenly Izo's spirit possesses the body of a street-sleeper in an alley of Tokyo's financial district.

The reincarnated assassin goes on a killing rampage through time and space, from the Warring States period to the day after tomorrow, slaughtering everyone from a Buddhist elder to the prime minister ("Beat" Takeshi in one of dozens of star cameos), not forgetting his own mother. Nothing can stop him, because Izo is negation itself: the contradiction spewed up by the "perfect system" that is Japan. Nothing is immune to his attack, except perhaps the godlike emperor (Matsuda Ryuhei) and the maternal goddess of mercy (Momoi Kaori). Standing to one side, watching and commenting in song, is Tomokawa Kazuki, a radical folkie from the 1960s.

The Young Kindaichi is back and better than ever! In this first of many cases, Kindaichi finds himself onboard a cruise ship in which the captain mysteriously disappears the day after a big party. A search of the ship finds nothing, except for little drops of blood on the light switch in the captain's room. Might it be a clue perhaps? You bet! When what looks to be a case of serious foul play unfolds, the ship's radio is found disabled-so much for contacting the authorities. So, far out at sea until they can reach land, it's up to Kindaichi and friends to find the killer - and stay alive!