Asian Drama

Nagisa Miyoshi and Saho Miyoshi are sisters and very close to each other. Younger sister Nagisa Miyoshi leaves her hometown of Hiroshima and begins to live with her older sister Saho Miyoshi, who has already moved to Tokyo. Saho Miyoshi works as a wardrobe stylist. Nagisa Miyoshi gets a job at company which her sister Saho introduced her to. There, Nagisa Miyoshi meets Yosuke Asakura, who is her first love from her high school days. Her feelings for him are rekindled, but she learns that Yosuke Asakura is engaged to her older sister.

Adapted from the manga series “Sister” (シスター) written by Ayapan (あやぱん) and illustrated by Shijimi Tsubasa (蜆ツバサ).

Ryoichi Yoshimori is a university student. His girlfriend Kyoko Sawada is older than him, but he enjoys his time with her. After Ryoichi Yoshimori proposes to his girlfriend, she suddenly disappears one day. Several days later, he finally sees her again but she has no memory of him. Ryoichi Yoshimori is stunned, but he suspects her memory loss is related to the Kiokuya rumor. A person named Kiokuya is reputed to erase the memories of people. He talks to Chiaki Takaharu, who is a lawyer and attended the same university as him, about his situation. Ryoichi Yoshimori searches for the cause of Kyoko Sawada’s memory loss and gets help from childhood friend Maki Kawai and Chiaki Takaharu’s assistant.

Three high school girls are chosen among 700,000 applicants to be on the reality show “Marry the Prince”. They must find their true love in the four princes they encounter.

An attempted murder takes place. Detective Katsuragi Keigo investigates the case. The only evidence found at the crime scene is the same DNA as Detective Keigo. He believes the criminal in the attempted murder case may be his older twin brother Yugo. At a young age, Yugo was kidnapped.

Nagatsu Ryoko, who belongs to the Agency for Cultural Affairs, is found dead in the mountain. One month ago, she discovered a Buddha statue at a mountain shrine. Her death seems accidental, caused by Ryoko slipping, but Itomura Satoshi determines that her death was not accidental.

When Shoutarou Tatewaki first meets Sakurako Kujou, he knows his life will never be the same. Initially believing her to be responsible for a disappearance in the neighborhood, he later learns of her true talent: analyzing bone specimens. Sakurako has quite the collection of reconstructed animal bones, but she wishes she had more of the human variety, much to the chagrin of those around her. Soon, Shoutarou begins accompanying the eccentric osteologist on the many different unsolved cases she comes across—usually in the form of decomposing bodies. But with so many incidents happening around them, could there be a larger mystery at work in their lives?

Sakurako-san no Ashimoto ni wa Shitai ga Umatteiru is a story of two unlikely partners, each showing in their own way that bones can tell how one died, but only people can tell how they lived.

“If you want help, but have no one to consult … At such times, make a phone call first!” Akenabe Yugo’s occupation is a “rental saviour”. He is a “saviour” who shows up to handle any kind of impossible demand for a limited time only. This is a peculiar, innovative rental service which has appeared as a result of a movement in the rental industry. But Akenabe is certainly not a fellow to be worshiped as a saviour. He is just a very good-natured middle-aged man who is forced to be one as a way to make supplementary income through this commission-based, for-profit, confidential service because he has a huge debt and a wife and child. On the other hand Aoi Denjiro, who is a “rental saviour” together with Akenabe, is a big show-off who loves attention.

With four years left before Tokyo hosts the 2020 Summer Olympics, housing sales are fiercely competitive. At this time, an excellent real estate agent appears. Her name is Machi Sangenya (Keiko Kitagawa). She is single and 30-years-old with an attractive appearance. With any of her clients. Machi Sangenya must get a purchase. Machi has her own unique way to get her customers to buy the homes. Her unique method include getting involved in the problems of her clients and their families. She then solves their problems. With her ingenious ways, all of Machi Sangenya's customers purchase homes from her.

Tadano is assigned by the chairman Kurokawa to protect and check the personal affairs of a young idol, Sylvia , who is the main character at the "Flower Earth Festival 2008" organized by Denodo. Sylvia has been threatened by someone...

Shomuni 2 is a sequel from Shomuni, a popular comedic drama serial. It continues where it left off when the female employees from GA-2, deemed "the graveyard of all female employees" for its inane daily job routines of changing light bulbs, used toilet rolls and organising flower appreciation nights, saved the company in the final episode of Shomuni. However, Manpan Corporation has changed. The multi-national company is now run in a totalitarian fashion. Closed circuit cameras are placed in every nook and cranny of the company to monitor the daily routines of employees. Even the basins in the toilets are not spared (though, obviously, the cubicles are) from scrutiny. This is a result of the Personnel Department, led by the evil Terasaki and Nonomura, who are (again) seeking to find a reason to save up on company budget.

Tsuboi Chinatsu, the most hated GA-2 by the Personnel Department, has resigned from Manpan Corporation. During the wedding reception, she asks four of the five female GA-2 employees (all of them except Tsukahara Sawako) whether they wished to have a little bet on whether Tsukahara Sawako would lose her virginity by the end of the month (30th of June). At the same time, Sawako is made the new "de facto" leader of GA-2, and she struggles to fill the boots left behind by Chinatsu.

Maki’s mother commits assault and Maki is temporarily placed in the children’s orphanage, Kogamo no Ie. Post is a young girl who reigns as the leader at Kogamo no Ie. While she has lost her parents, she is remarkably strong, resilient and positive. There is also Piami and Bonbi who respect Post. These girls, who each have different backgrounds, do not appear sad and seem quite indifferent. When asked for the reason for the queer nicknames they call each other, Post replies that they have cast away everything they received from their parents including their pasts as well as their names. Even if they constantly think about their parents, there will be no happiness. She advises Maki to leave the past behind. Bravado is the only weapon to protect themselves in this harsh, cold world. However, Maki believes that her mother will come to get her.