Unfolding the life of a taxi driver that uses his services as a front for extortion rackets and other criminal activities. When his hot-headed younger brother's impulsive behaviour lead the cops and triad to their doorstep. As the eldest, he...

Taira Ashihara and his younger brother Shota live by themselves in the small seaport town Mitsuhama in the western part of Matsuyama, Ehime Prefecture. Whenever Taira spots someone who looks tough, he provokes them into a fight. Yuya Kitahara becomes...

The film's main theme is the conflict between work and family commitments in modern Japan. It focuses on a successful internet entrepreneur Nagai, whose wife Akira and young daughter Kaai left him because he neglected them for his business. A...

Wataguchi Jun is a young man living in a port town. He doesn't attend school and hangs around a group of thugs. His parents run a business to transport landfill by ship. Their business is not doing well. Wataguchi Jun doesn't have interest in his parents' business and he doesn't speak to his parents very much. One day, a person, who hangs out with Wataguchi Jun, gets attacked by someone. An unexpected person is accused as being the attacker.

an integral part of their daily lives. In the program, Japanese filmmakers, Hollywood producers and scholars talk about the traditions of horror in Japanese writing from the past, which often featured demons, hell, vengeful spirits and other supernatural entities. (From the US, in English and Japanese, English subtitles) The ubiquitous ‘Japanese Horror’ boom is a film world phenomenon. What is this fascination with J-horror? The origin of J-Horror can be traced to the ghost story classics popularized during the Edo period known as Kwaidan. Indigenous to Japan, “Kwaidan culture” has a history of over 1000 years. Belief in ghosts and demons has been deep-rooted in Japanese folklore throughout history. SKELETONS IN THE CLOSET will demystify the extraordinary thousand year history of the supernatural as experienced by the Japanese and celebrate this “culture of horror” that has always been an unrelenting part of Japanese life. Coproduced by NHK/Plug-In2 This 90 minute English-language documentary was a co-production of NHK Television in Japan and a Canadian production company--I actually appear in this film, as myself, along with film producer Roy Lee (THE RING) and other scholars and J-Horror luminaries. It is a weird film… The thesis put forward by the producers (which I totally agree with) is that the J-Horror boom of the 1990s and early 2000s was a modern iteration of the collections of ghost stories that were compiled by the likes of Lafcadio Hearn--a contemporary folk mythology. So, to explore that idea, they have an actor playing Lafcadio Hearn in a sort of mini-biopic--and then that leads into an Amicus-like horror anthology film that turns some of Hearn's stories into short ghost movies, which are then woven into a more traditional documentary about J-Horror films that has talking heads (like me) and behind-the-scenes footage of the making of some of the films… and faked "behind the scenes" footage of a made-up film used as a generic example.

Because of their violent and ignorant parents, the stepsisters Yui and Ai decide to run away from home, heading for Tokyo. Stealing a bag of documents from a Yakuza catapults the girls into big trouble.

Uryu Shinbei appeals his boss’s corruption and his appeal is denied. He is kicked out from the han. Shortly afterwards, his wife Shino collapses from a disease and dies. Right before her death, she tells Uryu Shinbei, "I hope you go back to the han and help Uneme Sakakibara.” Uryu Shinbei and Sakakibara Uneme were friends, but they became rivals to gain Shino's affection. Sakakibara Uneme is also related to Uryu Shinbei's exile. ~~ Based on the novel "Chiri Tsubaki" by Rin Hamuro.

(Short Film / 15 min) Two lifelong friends jeopardize their relationship when one insists they sleep with each other. DIRECTOR: Jordan Schiele / FESTIVALS: World Premiere at First Run Film Festival