From funny to warm & touching… A smile with tears story of a group of unsung dog rescue heroes The charitable film takes the "Paws-Men" as the backbone of the dynamic organization, bringing out the message of respect for the spirit of life and the love of animals, that hopes to raise public awareness of animal rights and interests. The movie is divided into four chapters, each chapter with a famous actor as the leading character. The Paws-Men are Tat Yan, Charlie, Seal, and Keith. When a dog is in need of rescue, the Paws-Men assemble to save the dog immediately like Batman. “Paws-Men” tells the story of rescuing dogs, in which Paws-Men encounter many difficulties, such as a dog eatery, bullies and a dog abusing granny. Yet Paws-Men witness true friendships between dogs and humans. This film makes us realize: Saving dogs is not hard. People are the real problem.

It‘s the end of the century at a corner of the city in a building riddled with crime - Everyone in the building has turned into zombies. After Jenny‘s boyfriend is killed in a zombie attack, she faces the challenge of surviving in the face of adversity. In order to stay alive, she struggles with Andy to flee danger.

Looking for a new start, a young taxi driver moves into Apt. 504 of an old tenement named Migum Apartments. He soon finds that the previous tenant died mysteriously, and everyone on the floor is connected to the man.

After befriending the neighbor living a few doors down, he falls into an affair that sends them both down a dark path. But there's something else odd about the atmosphere in the run-down building. Does a ghost haunt those living here, or does the evil exist in those left alive?

Pusit is having the worst day of his life. He just lost his job and is in serious debt. That is all about to change when he receives a mysterious phone call with a tempting offer. If he could complete 13 tasks, he will win 100 million Baht. Pusit agrees and the game begins.

A man is found dead in a office of Takayanagi Ballet Company. The suspect is a female dancer at the ballet company. The Takayanagi Ballet Company insists that the incident is a self defense case, but after an investigation there's doubts in that claim. Then, the director of the Takayanagi Ballet Company is poisoned to death. Are the cases related? ~~ Based on the 1989 novel "Nemuri no Mori" (Kaga Kyoichiro Series #2) by Higashino Keigo

While going back to Kinmen island during summer, Ah Kwan (Bryant Chang) learns from the internet about a pretty girl called Chen Wen Qing (Shara Lin), who emerged champion in the National Piano Competition. One day he coincidentally meets up with her. For both this is the best summer holiday they ever had in their lives. Before going back Wen Qing promises to Ah Kwan she would email him everyday and coming next summer, she would find him in Kinmen again. 

The third prison of death, where only vicious criminals who do not have a sense of law or common sense are being kept. A new era of power opens when Lee Tae-sik, the nation's former boss entered the office.

Soon, the new warden, Jo Pyeong-ho, ends the evil without blood or tears, and begins to imprison the prisoners terribly, including Lee Tae-sik.

The war of the real wicked people in "Asurado" begins!

I first saw this film at the Hong Kong International Film Festival in 1981 and have often looked for it since (without any luck). Of the 50 films I saw in those 16 days (including masterpieces by Angelopoulos, and Syberberg's Hitler, A Film From Germany), Yamada's simple story turned out to be my favorite. When it recently turned up in a 5-disk Yoji Yamada box set, I immediately ordered it. Well, the disk is very poor quality, a murky transfer with the widescreen compositions butchered by a truly wretched pan-and-scan job -- and yet the quality of the film still manages to shine through.

On its surface, there's nothing particularly remarkable about A Distant Cry From Spring. A widow struggles to maintain a small farm in a remote area of Hokkaido, fighting the elements and raising her young son. One brutally stormy night, a stranger appears at the door looking for shelter. Though wary, the widow offers him her hospitality. He leaves, but then returns in the spring and asks for work, desiring only room and board in return. What follows is the depiction of a slowly developing emotional bond set against a beautifully observed portrait of daily life on the farm, an endless round of backbreaking chores which constantly threaten to overwhelm the lonely woman.

There is nothing terribly surprising in the revelations which eventually emerge about the characters, but they are so finely drawn and their emotional lives resonate with such authenticity, that only a cold-blooded viewer could fail to be moved by the film's resolution.

Yamada is a master of emotional nuance and a brilliant observer of the small details of ordinary lives, which he obviously holds in some kind of awe, and in which he finds a kind of magic. He makes you feel for the characters without ever stooping to sentimentality or easy manipulation. His work deserves to be more widely known, and he certainly deserves better treatment from DVD distributors.