In the early years of the Republic He Changsheng followed his grandfather around the world and learned a lot about medicine. One day, while He and Hu are tending to the shop, a woman dressed as a Miao, Ah Man, comes to the door and asks He Changsheng to pay his father's debt to his son and fulfil his promise.

Nam-hee (Shim Hye-Jin) is going about selling fruit from her truck, when she nearly runs over a young gentleman, Joon (Lee Sang-Woo). Joon finds his way to Nam-hee's house, where he meets her mother Gan-nan (Kim Su-Mi), and her 20-year-old daughter Na-rae (Da-hee Lee). Through a series of circumstances, Joon comes to live with the three women, and with the introduction of a handsome man in their house, the three use their own skills to vie for his attention and compete for his affection.

50-year-old Shanghai's uncle Lao Bai has been divorced for many years and lives by teaching people to paint. He is lonely but he does not want to admit loneliness. He had an exotic past that he fell in love with at first sight many years ago, which he was willing to be alone all his life. Lao Wu is a good friend of Lao Bai. Lao Bai admired Lao Wu, but could only live in the real world of firewood, rice, oil, and salt. Lao Wu only loved one person in his life, and eventually wrote a dreamlike love myth.

Zhang Chi, a hubris and dominating six-time racing champion, falls from grace following a crisis. After a five-year suspension from the motorsport, the now single-father to a six-year-old boy throws down the gauntlet once again to a younger generation of racing geniuses and vows to regain his past glory. With few years left in a professional career at almost forty, the father-and-son duo braves a brand-new world of auto-racing which puts them into some rather ironic situations. To guard the honor and a father's promise to his son, Zhang Chi regroups with his former teammates on the journey back to the race course. Together they roll with the punches and launches a serious attack for the championship.

A story of a 20th-century writer "Manto", who grew-up in the showbiz industry of Bombay (now Mumbai) and Lahore. It focuses the last seven years of writers life during which he wrote some of his most controversial stories, such as Thanda Gosht, Toba Tek Singh, Madari and Peshawar Se Lahore. For which Manto had to face charges of obscenity thrice.

The Legend of King Naresuan (Thai: ตำนานสมเด็จพระนเรศวรมหาราช, Tamnan Somdej Phra Naresuan) is a two-part 2007 Thai biographical historical drama film about King Naresuan the Great, who ruled Siam from 1590 until his death in 1605. The films are directed by Chatrichalerm Yukol and are a followup to his 2003 film, The Legend of Suriyothai. Part I, Pegu's Hostage, was released on January 18, 2007. Part II, Reclaiming Sovereignty, was released on February 15, 2007. A third part was initially expected to be released on December 5, 2007, in celebration of King Bhumibol Adulyadej's 80th birthday, but that release date has been pushed back to later in 2008. Filming on part III is expected to begin in early 2008, with Tony Jaa among the featured actors. Part I deals with Naresuan's boyhood, when he was taken hostage by Burmese King Bayinnaung to keep the vassal Ayutthaya Kingdom subservient. During this time, he was a novice Buddhist monk under the tutelage of a wise father-figure monk (Sorapong Chatree). Part II depicts Naresuan as a young adult prince, already a formidable military strategist, as he leads his army on exploits against breakaway kingdoms for King Bayinnaung's successor, King Nonthabureng, and eventually breaks away to declare sovereignty for Siam. Part III was to depict Naresuan's military and leadership skills and the expansion of the Siamese kingdom. In production for more than three years, the project has an estimated budget of 700 million baht, making it the most expensive Thai film made.

There lives a couple known as ‘100-year-old lovebirds’. Like characters in a fairy tale, the husband is strong like a woodman, and the wife full of charms like a princess. They dearly love each other, wear traditional Korean clothes all the time, and still fall asleep hand in hand. However, death, quietly sits between them, like a thief. This film starts from this moment, and follows the couple until the last moments of their 76-year marriage.