After watching this film, the title Good Person does not seem to indicate an ethical being; rather, a question of what it is to be good and how it is made. A theft occurs in the class of Kyung-seok, who is known to be a benevolent teacher. Under the circumstances, Se-ik is accused of being the culprit, but desperately claims it is a false accusation. On that night, the daughter of Kyung-seok who came along to school with him goes missing; suddenly Seik reappears as though he is responsible. However, there awaits another turn of events that opens the question of which one of them is good and bad? Good Person throws this bewildering question through a well-structured storyline and a detailed portrayal of emotions.

at the age of 12, the government has decided that they are not as academically inclined as their peers. Kok Pin is creative and a born artist but his parents would rather he focus on his Maths and Sciences. Boon Hock comes from a low-income family and needs to balance school and helping out at the food stall. Terry, a spoilt brat is just too lazy a student. While the three children suffer from the pressure of school, their parents have another set of problems - their jobs and careers ...

The Iron Ladies are back! The members are now in their forties and are watching an exciting international volleyball match between Thailand and Japan. The ladies cannot bear to compare it with their Iron Ladies playing style. They are now recalling their glorious past.

Coach Bee invited Mui to join Lampang team. However, Mui was hesitant to join the team because there were many members missing in the team. Jung and Parn volunteered to search and recruit the missing team members. After the team is complete, they undergo intensive training to get back in shape and consequently won the first place of Northern Thailand Volleyball Championship.

Nevertheless, an unexpected incident happened after their victory and miserably scattered their team. Coach Bee and Mui started to gather their team back for an upcoming Thailand National Volleyball Championship. Will they pick themselves up and bring back their glory days?

THERE IS A SECRET IN MY SOUP opens at the scene of the crime and then progresses to the police station, with the officer in charge of the investigation (Michael Wong Man-tak, dubbed by someone else here) questioning the various parties involved. This provides the necessary lead-in to the flashback structure these films invariably adopt. Abused by her husband, Maggie Chan (Cherry Chan Chiu-chiu, who co-hosts the popular cable sex show CALL 2430 WHENEVER YOU WANT) moves out and into an apartment shared by Pat (Angela Tong Ying-ying) and her spouse Rocky, (Hugo Ng Toi-yung). Maggie begins working as a prostitute for the latter but eventually steals some money and Rocky's fancy lighter, prompting the pimp to send psychotic debt collector Joe (Gabriel Harrison / Hoi Chun-kit) after her. Maggie gave the cash to her sickly grandmother, so Rocky demands that she continue to work as one of his girls and pay him $HK20,000 in four instalments. She runs away again, however, and Pat is unable to stand up for her this time. Rocky, Joe, and their buddy Fei then takes turns abusing Maggie in increasingly horrific ways.

Inspired by her childhood, French-Korean filmmaker Ounie Lecomte recounts the emotional journey of a little girl abandoned by her father in an orphanage. 1975. It’s early autumn, somewhere in a small town in South Korea. Jin Hee is 9. She sets off on a journey. She doesn’t know where she is going. But she has to follow. She has to obey. Somewhere near Seoul, her father entrusts her to an orphanage for girls run by Catholic nuns in the hope that she will be adopted. Jin Hee resists. She cannot believe that this father whom she loves so much has abandoned her. She tries to make him come back. She attempts to run away. In vain, she finally accepts her fate, forced to hope and wait for her possible adoption.

Takahata Isao’s animated artistry in Only Yesterday (1991) comes to life in Hakota Yuko’s delicate story of a woman’s mnemonic journey. Trapped in her anemic career and love relationship, a 30-year-old TV commercial director returns to her countryside home in the company of a free-spirited friend. In a bittersweet reunion with an alienated family, her childhood memories of freedom and yearnings creep in the dreamlike blue hour, transcending into a lyricism of self-realization – at once whimsical, agonizing and yet hopeful.

Love triangle set against the backdrop of World War II.

After his wife’s death professional bodyguard Lung Wei went overseas to find doctors for his daughter, but instead found a new job as a virtual reality tester.