Do Maeng Soo (Maeng Soo meaning 'beast'), falls heavily into debt with private loans. Chased by fearsome loan sharks, he fakes a divorce to protect his wife. No sooner than faking his divorce, he gets lucky with a winning lottery ticket. Maeng Soo wants to share the good news with his wife but cannot find her. With his new 'money' superpower, he begins a search for his wife with some unlikely help.

The more power he desires, the darker his world becomes. Hae Woong, an assembly member candidate, is taken out of the running because he became a thorn in the side of a local bigwig, Soon Tae. Hounded by loan sharks, due to defaulting a campaign loan, he decides to get his hands dirty. He steals classified government’s information about an urban development plan and obtains the help of a local gang leader, Pil Do, by promising hefty real estate profit. Now Hae Woong re-enters the race and tries to take revenge on Soon Tae. Unbeknownst to him, his messy journey through politics has only just begun.

Set at a psychiatric hospital. Soo-Myung (Yeo Jin-Goo) has suffered from schizophrenia due to his guilt that he suffers from his mother's suicide. He meets Seung-Min (Lee Min-Ki) at the psychiatric hospital. Seung-Min has been forcibly hospitalized because of his wealthy family's inheritance fight. Dreaming of getting out of the hospital, Seung-Min constantly tries to escape. Soo-Myung begins to follow Seung-Min.

A 1945 film written and directed by Akira Kurosawa. It is based on the novel by Tsuneo Tomita. It was filmed in early 1945 in Japan towards the end of World War II. Unlike the original Sugata Sanshiro, the sequel is considered a propaganda film.

Agent Sai Srinivasa Athreya is a brilliant, underrated detective from Nellore who runs an agency called FBI which sees no business. He gets more than what he asked for when a case happens to fall right into his lap out...

North Korean detective Im Chul Ryung is sent to South Korea to catch Cha Ki Sung, the boss of a North Korean refugee crime organization. There, Chul Ryung cooperates with South Korean detective Kang Jin Tae. For the first time, the two countries cooperate to take down a criminal.

A spirited comedy that pokes fun at old-style Cantonese filmmaking and Wong Kar-Wai's 1990s art-house hits, but ever so gently. Dayo Wong plays a WK-W like director who is sent back 30 years and forced to make a movie under the conditions of the time. The film contains many refernces for film buffs, from Kwan Tak-Hing's cheesy "Wong Fei-Hung" series to the hilarious antics of "La Rose Noire". Review by Paul Thompson: You'll probably laugh, but you might not have gotten the object of satire by reading the subtitles, which is why I have provided this summary. I'm pretty sure Wong Jing was involved in this -- in fact one of the characters is Wong Jing as a young man. If you are a die hard Wong Kar Wai fan, you will laugh when you watch this film. "Those Were the days" speculates on what would happen if a hot international art house director (a.k.a. WKW) were transported back in time to the 1960s Hong Kong film industry. Highlights include: WKW meets Wong Jing as a child and profoundly influences career; WKW attempts to make his kind of films with the resources, talent, and expectations of 1960s HK filmmakers, and a lot of other Hong Kong /Wong Jing style zaniness.

In the 1970s, the Kansai region of Japan experienced a high economic growth and the Osaka World Expo was held. Yong Gil is Korean who moved to Japan and settled down in a local city in the Kansai region. He and his wife run a small Yakiniku restaurant called 'Yakiniku Dragon'. He has three daughters, oldest daughter Jung Hwa, middle daughter Yi Hwa, and youngest daughter Mi Hwa. Yong Gil lives cheerfully and positively all the time although he was deprived of his left arm and his hometown after the war. The shop is always crowded with regular customers such as Tetsuo, who is Jung Hwa's childhood friend. The sisters are bound together by strong ties, but the times soon began to move on...

Based on the stage play “Yakiniku Doragon” which was written and directed by Wishing Chong. The stage play was first performed in 2008.