An anonymous letter is delivered to the Tokyo Metropolitan Police Department. The letter states that a criminal of a murder case will appear at the countdown party Masquerade Night that will be held at Hotel Cortesia Tokyo. Detective Kosuke Nitta (Takuya Kimura) must go undercover and work again at the Hotel Cortesia Tokyo. There, he meets Naomi Yamagishi (Masami Nagasawa), who works as a concierge. Without any information about the criminal, except that the person will be in attendance, Detective Kosuke Nitta works feverishly to find the criminal among the 500 attendees.

Tooru (Kenichi Matsuyama ) spent his childhood living on the Tateyama Mountain Range with his father. He rebelled against his strict father and he now works as a trader in the financial world. One day, Tooru learns that his father has died. He travels back to the Tateyama Mountain Range for his father's funeral. Eventually, Tooru decides to stay on the mountains. He decides to takeover his father's cottage. At first, Tooru finds difficulties living on the mountain again, but soon he becomes healed by nature. A strange man then appears and introduces himself as Goro (Etsushi Toyokawa), a friend of his late father's.

Hamari Adhuri Kahani (English: Our Incomplete Story) is a 2015 Indian romantic drama directed by Mohit Suri and produced by Mahesh Bhatt under the banner Vishesh Films and Fox Star Studios. The film stars Emraan Hashmi, Vidya Balan, and Rajkummar...

As a child Takuma is diagnosed with a heart condition that requires care from a cardiologist. He soon becomes friends with his doctors young daughter Mayu while being treated at the hospital. One day Mayu overhears her father saying that...

It's New Year's Eve for the Hotel Avanti, and the whole place is in panic mode. There's an award ceremony and countdown party to prepare for, guests to greet, entertainment to organise, a persistent call girl to deter, an escapee duck to find, and more.

It is near impossible to sum up this film in a few neat concise paragraphs. The level of writing that has gone into this film is fantastic. Throughout, it really feels like a stage play. The viewer feels intimate with the story and characters, and there is a real warmth and closeness there that is rare to find. Perhaps it the writer's experience with the stage that allows that quality to come through, and as such it is a real strength for the film.

This intimacy really helps the viewer to involve themselves in the story, which is incredibly fast-paced and deliciously mischievous in design. The film is really funny, and represents a very full spectrum of humour, from "hmmm" funny to "hah hah", and wry to downright silly, but still manages to be quite understated. This isn't the kind of film that you will make Pepsi come out your nose, but it is really funny all the same, and and there are some hilarious cock-ups that will have you giggling gleefully.

The jokes of course wouldn't work without the film's biggest strength: the characters. They are all so enjoyable to watch, as their adventures and mishaps tangle and spiral together, gathering momentum in one huge snowball effect. Some scenes are the culmination of so many threads that it is wonderfully painful to watch it all come together. It is hard not to talk at the TV. To the writer's credit though, the film is often refreshingly unpredictable, and I was impressed to find that this comedy of errors didn't just rely on the same old gags as similarly styled comedies.

The film also carries a dramatic message, and while all of the characters are caricatures of sorts, they are much deeper than that, and live and breath to the extent that the viewer finds themselves genuinely caring about what happens to them. There are so many great characters and scenes in this film that it would be a very cynical viewer that couldn't take away something memorable from it.

The Uchoten Hotel is a delightful film, expertly written, directed and performed. Even as the film effortlessly straddles zaniness and sophistication, and its many threads entwine together, the viewer can, just as the Hotel Avanti promises, think of the place as their second home.

Unjustly accused of stealing money, high school student Lin Shu Wei is assigned to do community service alongside the bullies from his class. As the gang of bullies progressively accept him as one of their own, Lin partakes in their misdeeds to seek their approval. During a night out, the group stumble upon a pair of flesh-eating female ghouls and capture one of them; they begin a sadistic game, which ultimately leads to disastrous consequences

In the year 2012, three delinquents including Atsuya discover that their hideout, a run-of-the-mill general store, was owned by an elderly man who gave free advice to worried people through letters. Something weird happens during late hours of the night and Atsuya realizes that a letter will be thrown into the mailbox at midnight. It is a letter asking for advice addressed to the Namiya General Store written by a person 32 years ago. Incredibly, the mailbox was connected to the past, in the year 1980. While confused, Atsuya writes a reply in place of the shopkeeper. The group keeps replying as another letter is sent, then another.

In an audacious reworking of the biopic, this ensemble drama sees jazz pianist Minami Hiroshi’s memoir cleverly reinterpreted into a surreal and playful story about chasing dreams, disillusionment and the inner lives of professional artists. Closer to playing two sides of the same coin than tackling a dual role, Ikematsu Sosuke embodies two versions of Minami – the naïve upstart and the jaded pro – who magically cross paths as they become entangled with a cast of colourful characters in the seedy alleyways and jazz clubs of Ginza over a single night.