Asian Drama

Post-war Japan is at its lowest point when a new crisis emerges in the form of a giant monster baptized in the horrific power of the atomic bomb.

(Source: IMDb)

Aruo, the dragon girl from the East China Sea, is determined to find her beloved, and comes to the mortal Wang Sheng at all costs. However, the fox demon Xiaoman wants to get the most precious spiritual leaf from the dragon girl, and designs to break Wang Sheng's heart. Aruo has no choice but to use Lingye made up for Wang Sheng's heart, so the two women started a "heart-stealing" contest with Wang Sheng as the center.

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

Haruma and Takeru went on another trip together, this time to Borneo, Malaysia, where they have close encounter with orangutan, wild elephant, and many other funny events that had taken place during this trip. Also, you might find the memorable moment where Takeru encountered with a caterpillar.

Hwan-Hee (Yoo Seung-Ho) is the most sought after magician in the Moorangroo, a popular red-light district area in Uiji of the Joseon Dynasty. Hwan-Hee suffers personally from his abusive childhood. As a child, he was physically abused by Gwi-Mol (Kwak...

Hinata is murdered again by the Tokyo Manjikai Gang in front of Takemichi. In order to save Hinata, Takemichi travels 10 years back in time again. Takemichi has to change a key case that can save Hinata. The key case involves a sad incident that occurred to 6 men, who later formed the Tokyo Manjikai Gang.

Adapted from the manga series "Tokyo Revengers" (東京卍リベンジャーズ) by Wakui Ken (和久井健).

Akuma ga Kitarite Fue wo Fuku SP 2018

Jin Ah works at a credit card call center. She does her job well, but she doesn't have relationships with anyone at work or in her personal life. She lives alone and works alone. One day, her neighbor, who sometimes chatted with her, is found dead. His body was found a week after he died. Jin Ah is shocked by his death. She decides to turn on the camera that was installed at her mother's home a long time ago.

A terrible series of events occur when a public employee unexpectedly enters a police station.

When Yoo Mi searches out her mother's friend at a hotel to drop of her younger sister, she falls into unexpected mystery and horror.

"Trivial Matters" is exactly what it says on the packet. Collection of seven vignettes -- some sad, others sardonic -- have little in common other than a concern with the small things of life and a throwaway attitude very typical of its creator, Pang Ho-cheung (aka Edmond Pang). Hard on the heels of his much more formal "Exodus," pic may baffle those unfamiliar with the Hong Kong writer-director's insouciant oeuvre, and will be best appreciated at Asiaphile events. Pic did so-so biz on local release last December. Though Pang is best known internationally for "Isabella" (in many ways his least typical movie), "Trivial Matters" is closer in spirit to earlier pics like "Beyond Our Ken" and "AV," in which the audience is never sure just how seriously to take what's being shown. Based on Pang's own collection of short stories, it also has a scattergun success rate that's also very characteristic of him. Best segs are the third and fifth, both of which are constructed as mini-movies rather than casual jottings, and are nicely played by their separate casts. In "It's a Festival Today," a girl (Isabel Chan) moves in with her b.f. (Eason Chan) but doesn't want to have sex; finally, at Christmas, she agrees to service the poor guy, which leads him to desperately hunt the calendar for other holidays in order to get pleasured again. Punchline is blackly witty. Tone in "Ah Wai, the 'Big Head,' " the longest and most slickly lensed of the bunch, is more wistful, sketching a friendship between two high schoolers -- quiet Kei (Stephy Tang) and spacey Ah Wai (Gillian Chung) -- as they drift apart but meet again at a class reunion. Stretching from the late '80s to the mid-'90s, and based around their shared liking for Cantopop legend Danny Chan, yarn has a lovely period feel and subtle chemistry between the two actresses that packs quite an emotional punch at the end. Other segs range from passing gags -- thesp Edison Chen as a dirty-mouthed pick-up artist -- to self-consciously clever playing with film form. The simplest, but with a piercing moment of sadness, is the sixth episode, "Recharge," centered on a hotel-room assignation between a businessman (Chapman To) and a Mainland hooker (Zhang Zheng). At a time when Hong Kong production has become increasingly conventional and middle-class, pic is notable for its natural, undogmatic approach to nudity and drug use. Casting of names in all the segments -- including Mainland helmer Feng Xiaogang in a witty cameo as the account manager of an assassination agency -- maintains interest for auds able to recognize the faces. However, general viewers are more likely to agree with pic's opening intertitle: "Life is rather trivial in hindsight."