Asian Drama

Sanae goes to prison after she fails in an attempt to murder her boyfriend. Six years later, she meets and marries Kenta, a forestry worker. Their marriage takes a new turn when the wife of Sanae’s ex-boyfriend shows up at the door. Sanae hasn’t gotten over her ex-boyfriend, and Kenta finds it hard to deal with her.

(Source: biff.kr)

Release dates: Oct 8, 2023 (Festival) || Feb 2, 2024 (Cinema)

Duration: 2 hr. 7 min.

Content Rating: 13+ - Teens 13 or older

Post-war Japan is at its lowest point when a new crisis emerges in the form of a giant monster baptized in the horrific power of the atomic bomb.

(Source: IMDb)

Aruo, the dragon girl from the East China Sea, is determined to find her beloved, and comes to the mortal Wang Sheng at all costs. However, the fox demon Xiaoman wants to get the most precious spiritual leaf from the dragon girl, and designs to break Wang Sheng's heart. Aruo has no choice but to use Lingye made up for Wang Sheng's heart, so the two women started a "heart-stealing" contest with Wang Sheng as the center.

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

He is rejected by his sister when the brother floats the idea that their father move from his house to her apartment. The father has other ideas however and shows up unannounced at her doorstep with his belongings. She has little space, a boyfriend she lives with it and does not need a cranky father.

This love comedy is based on the play of the same name, both of which are directed by Kokami Shoji, who heads the Third Stage Theatre Company. A female playwright who has fallen into a heavy slump presents an unreasonable demand to a forgettable TV producer. Its three-level structure (reality, a play-within-a-play, and a play-within-a-play-within-a-play) is unique. Mayumi (Fukada Kyoko) is a popular playwright who receives an assignment to write the script for a special TV drama but she can't get any words down on the page. When pressed by a mediocre producer named Mukai (Shiina Kippei), she gives him an ultimatum: If he wants the script, he'll have to go out with her.

Wu Xiao Xue's world is turned upside-down by her artist father's affair and makes her mother hate anything to do with art. A fairy character she had drawn on the day her world flipped upside-down comes to life and acts as her imaginary companion and mentor. She secretly draws despite her mother's disapproval and joins an advertising company where she hopes to use her skills. Wu Xiao Xue tries to navigate the adulthood pressures of work, pleasing her mother, and her childhood crush Xu Zhao Chen with the help of her fairy friend. Will she be able to make her dreams come true?

Two detectives who are up to their necks in trouble and in each other's face, as they try to shut down a drug-trafficking scheme that could be connected with international ties to organized crime. But in the mist of their investigation, innocent immigrant dock worker Luk Wan-Ting gets caught up in the mix when he witnesses the murder of an intelligence operative and is framed for the crime. After escaping police custody and after his friend is brutally killed by hired assassins in search of a film negative that Luk lost, he has no choice but to return to Hong Kong until the heat cools off. Donny and Penny Yeung are called in to extradite him with the aid of Captain Michael. Penny believes that Luk is innocent and tries to do everything in her power to help him, while Donny who is skeptical about Luk's innocence, thinks he's guilty and does his best to snap the cuffs on him. As the two do more investigating... (source: imdb.com)

The story takes place in a sacred mainland of Odin (or Wotan), separated into four counties based on the four elements - water, fire, wind and earth. The published book(s) in the series mainly focuses on the water county, also known as Atlantis/Aslan Empire, with references to the other counties. There are 7 lords and one disciple for each lord.

A teenage prostitute is murdered; her body cut up and flushed down the toilet, and her severed head thrown into Victoria Harbor. Director Philip Yung chooses to focus not on the crime or the investigation, but on the dead girl...

A girl named Jung-min writes to a young man named Hyun-jun, who is serving in the army. She lies about her age and claims to be a teacher. As Jung-min turns twenty, a 30-year-old man, who has eyes filled with sadness moves into her village. Every night, he sends letters through a pigeon to a deceased woman he loved dearly. He sends them high up in the sky, knowing that he will never get a reply. Then one day, like magic, he receives a letter. The letters sent through pigeons reveal someone's loneliness and sadness. And the two people meet each other by sheer chance...

Ostensibly inspired by a documentary on a German terrorist group, Edward Yang’s austere third feature discovers, hidden within the stillness of human emotion, a terror far more brutal than any moment of physical violence. Bookended by images of guns and corpses, the film’s true focus is on the violence enacted in everyday relationships, whether between lovers, coworkers, or strangers. The narrative weaves intricately among three scattered groups of characters: a doctor and his novelist wife, a mopey female hoodlum, and a love-struck photographer, all threaded together by one prank phone call and a sense of deceit and lingering entropy. Yang said the film was “built rather like a puzzle; the spectator can rearrange it in his head when he gets home.” It is the inescapable feeling, not the telling, of the story that matters. Indeed, the gunshots at the beginning and end seem interchangeable, almost anticlimactic, rendered quaintly obsolete by the film’s painstakingly traumatic layering of human relations and their emotional violence.