Asian Drama

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

Saeba Ryo is a "sweeper" in the city of Tokyo. He works as a trouble shooter, cleaning the streets of vermin, and helping out desperate people. Sometimes he's a bodyguard, sometimes he's an assassin, whatever Ryo does he does it well. In fact, his only flaw is his hormones - he loves the ladies and sometimes turns into an idiot when he's near them. Thankfully he's got people like his partner Kaori Makimura to keep him in check.

(Source: Mangaupdates)

Adapted from the manga series "City Hunter" (シティーハンター) by Hojo Tsukasa (北条司).

Duration: 1 hr. 42 min.

Ratings: 8.1

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Han Gyul and Go Un is a young couple raising their newborn Woo Rim. Not too long ago, they got scammed by a real estate agent and lost their entire fortune leaving them homeless. Eventually, they lug their belongings and try to sleep at Jjimjilbangs every night. Han Gyul provides delivery service driving a scooter and Go Un put up flyers carrying Woo Rim. However, it seems impossible to find a place to live by their endeavors alone. One day, Woo Rim gets hurt at a Jjimjilbang and the couple’s situation becomes more desperate. They end up temporarily staying at a house of this elderly woman whom Han Gyul got to know through his delivery service work. Han Gyul tells Go Un that this lady is visiting the US for a month but the whole thing feels suspicious to her. Homeless illustrates the despair of the younger generation toward housing problems. The couple dreams to live a life like a model house that appears in the first scene, but the reality is the opposite.

(Source: JIFF)

Duration: 1 hr. 23 min.

Content Rating: 13+ - Teens 13 or older

Ratings: 6.7

Deep in the barren mountains, a mother and a daughter live an isolated quiet life. The Daughter looks lean and fragile. She seems unreactive toward her surroundings, confining herself in her own wretched world. The Mother is like a guardian...

Naosuke and Tamiko are a happily married couple, and have just bought some land in the countryside to build their new house on. They ask Yanagisawa, Tamiko's junior at university and an interior designer to design it. However, because he is not a qualified architect, they need someone else to apply for consent and built it. They ask Tamiko's father, a builder, to do this. Yanagisawa is a modernist, influenced by American architecture; Tamako's father is a traditionalist. The two soon come into conflict over the design of the house. After many disagreements, they eventually start to understand each other's way of thinking.

Sabu and Eiji were best friends since they were small. They served as poor trainees in a traditional umbrella store. When they grew up, it was time for them to turn on a new leaf and live on their own. Unforturnately, Eiji was falsely accused as a thief. He was then isolated in a deserted island and forced to work as a coolie. Eiji was very angry and upset. He kept on thinking of ways to take revenge on the person who falsely incriminate him. During this period, Sabu kept on supporting Eiji and visiting him in jail. At the beginning, Eiji was jealous of Sabu and became hostile to him. As time went by Eiji met many pals in the jail and they worked hard to fight against many difficults. Finally, Eiji learnt to compromise to his fate. After many years of isolation, when Eiji was about to recover his freedom, a cruel fact was revealed to him by Sabu and it drove Eiji crazy.....

Four guys, with nothing better to do, decide to rob a gas station. When they find out there isn't as much money as they expected, they lock up the employees and take over to make more money. They don't know how to run the gas pumps, and when the customers complain, the guys take them hostage. Everything is more or less under a chaotic kind of control until they order Chinese food and make the mistake of harassing the delivery boy. He rounds up a bunch of other delivery boys to attack the gas station. Another confrontation with a high school gang and the local mafia provokes a bigger fight. Finally, the police arrive for the final showdown.

A young woman named Ruka (Azusa Mine) hasn't been able to leave a theater where she has worked as a projectionist for the last 3 years. Keisuke (Takahiro Nishijima) is a university student in Tokyo. During his summer break he begins to work at the cinema where Ruka stays. Keisuke becomes attracted to Ruka ... 1. Based on the novel "Signuaru" ("Signal" by Hisashi Sekiguchi (first published by Gentosha, February, 2008)2. Azusa Mine makes her acting debut in "Sigunaru ~ Getsuyobi no Ruka".3. Filming took place in a 100 year old theater in Niigata, Japan. 

Despite her great credentials, Kanou begins work at a well-paid escort service, but on the first day, she runs from a client and is reassigned to menial work. Crazy Bunny Escort is on the 4th floor of a villa building. Kanou witnesses the various faces of supervisor Yamashita and the kind Hagio, driver Ryota, the women waiting for calls in the space she manages, Chika who quietly writes down things in her notebook, and Mahiru, who hides all her rage and emotional baggage behind her smile. Kanou soon feels a sense of fear and despair.