Asian Drama

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

Saeba Ryo is a "sweeper" in the city of Tokyo. He works as a trouble shooter, cleaning the streets of vermin, and helping out desperate people. Sometimes he's a bodyguard, sometimes he's an assassin, whatever Ryo does he does it well. In fact, his only flaw is his hormones - he loves the ladies and sometimes turns into an idiot when he's near them. Thankfully he's got people like his partner Kaori Makimura to keep him in check.

(Source: Mangaupdates)

Adapted from the manga series "City Hunter" (シティーハンター) by Hojo Tsukasa (北条司).

Duration: 1 hr. 42 min.

Ratings: 8.1

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Chang Huanran (Zhang Chao) is a construction site operator. In the ordinary life, there are also small personal pursuits, hoping to use my youth to fight for a happy life for my family. But the idea is very happy, the reality is very skinny. On the one hand, his wife Tan Xiaomin (Hu Linna) is about to give birth, and he wants to start a business to give it a go. On the other hand, the bad boss intercepts his salary and cannot get rid of the predicament. Chang Huanran also faced a choice when he accidentally discovered a treasure on the construction site, which could immediately change the current embarrassment and the fate of future life. Chang Huanran thinks about the decent life of luxury houses and cars all the time. So the life turning point of drama began.

A wrestling movie with a mix of elements including Mongolian wrestling, Sumo wrestling, female wrestling, split personalities and more.

Shen Yi Hang, a high school student, has excellent academic performance in school due to his handsome appearance. He is a well-deserved school grass. He has captured countless girls in the school.

Once he met him and met his ordinary female classmate Xia Xuan. She was deeply touched by her kind and excellent. Attracted, in order to get close to Xia Xuan, she used various methods to make herself appear in front of her, and slowly developed her love for her.

During a volunteer service outing, Shen Yi Hang was ready to muster up the courage to express her feelings, but Xia Xuan accidentally had a car accident. , Was seriously injured and was hospitalized. Through this unexpected change, Xia Xuan was completely changed. On the day she was discharged from the hospital, Chen Yue Ze, Shen Yi Hang’s best friend, transferred to the school and met Xia Xuan who had reported to the school. Chen Yue Ze identified Xia Xuan as himself. The pursuing woman constantly creates opportunities to contact Xia Xuan and pull Shen Yi Hang to accompany him, but because of this, Shen Yi Hang also understands Chen Yue Ze's heart, and Shen Yi Hang chooses to hide his feelings in the constant inner struggle.

Mei Tachibana is a high school student. Due to a traumatic incident when she was a kid, Mei has been unable to make friends or have boyfriends. By mistake, Mei then injures the most popular male student named Yamato Kurosawa. Somehow, Yamato Kurosawa likes Mei Tachibana and tells everyone unilaterally that Mei is his friend. One day, Yamato Kurosawa saves Mei Tachibana from a stalker by kissing her. From that kiss, their love story begins.

Hitomi Takagi (Fumika Shimizu) and Akako Honda (Rena Matsui) are members of comedy duo “Akako to Hitomi.” The created the comedy duo about 5 years ago, but they are still not very popular. Everyday, they perform manzai to a regular...

This digital featurette, not quite a companion piece to Tropical Malady but certainly related to it, shows Joe operating at the height of his formalist powers. One of the things I’ve valued about Weerasethakul’s work since Mysterious Object at Noon is his commitment to exploring the traditions of avant-garde cinema while taking those idioms into uncharted territory. While some works by Joe have displayed an interest in bending the strategies of Andy Warhol and Bruce Baillie to the needs of Thai folklore and narrative gamesmanship, Worldly Desires takes a more structural approach. However this piece bears little resemblance to structural film as we usually think of it; if there are specific touchstones for Worldly Desires in film history, they would be those “other” structuralists, so wonky and off the beaten track as to thwart easy categorization. Like Morgan Fisher’s early film projects, Worldly Desires is a documentation of the filmmaking process. Within a single expansive jungle location, portions of a Thai soap opera are being filmed by day, and a music video is being made by night.We watch at a significant remove, behind the camera and lighting crews. Multiple views display random bits of business on the periphery, like the craft services table or a playback monitor. However, the stringent day / night rhythmic structure breaks down in the end, the night song (about a woman wondering if she’ll be as lucky in love as her mom was — an Electra Complex with a disco beat) eventually bleeding into the daytime shoot. But more significantly, the relatively austere TV production, whose melodramatic dialogue is mostly heard in disconnected snippets, is contrapuntally offset by the swelling musical numbers. They break up the video, with the unexpected jolt of pure pleasure. Although these sequences recall the musical interludes in certain of Tsai Ming-liang’s films, they’re shot in the mode of early Hou Hsiao-hsien, dancing girls reduced to tiny figures in a wide expanse, itself engulfed within an intractable master-shot. The rigor / comedy handoff recalls aspects of Owen Land’s work, but perhaps more importantly, Joe’s visual and conceptual approach displays a sensitivity to the unique qualities of the jungle landscape, a willingness to let the “location” become the subject of the piece. Worldly Desires is a landscape film, one that brings that most mythologically burdened aspect of Tropical Malady — its deep, dark thicket of the soul — and allows it to grow wild and overtake the image.

An experimental romantic thriller, Solo is the story of four different men, their love, rage and afterlife. Through four elements - water, air, fire and earth, they also represent different facets of Lord Siva.

A horrifying story of a shaman’s inheritance in the Isan region of Thailand. But the goddess that appears to have taken possession of a family member turns out not be as benevolent as it first appears.