Asian Drama

Post-war Japan is at its lowest point when a new crisis emerges in the form of a giant monster baptized in the horrific power of the atomic bomb.

(Source: IMDb)

Aruo, the dragon girl from the East China Sea, is determined to find her beloved, and comes to the mortal Wang Sheng at all costs. However, the fox demon Xiaoman wants to get the most precious spiritual leaf from the dragon girl, and designs to break Wang Sheng's heart. Aruo has no choice but to use Lingye made up for Wang Sheng's heart, so the two women started a "heart-stealing" contest with Wang Sheng as the center.

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

Young-in and his colleague Seung-dae are a pair of professional bagmen working for various lobbyists in finance, media and a host of other industries requiring political favors. Feeling guilty about his work, Seung-dae tells Young-in he plans on blowing the whistle on his boss Han’s illegal activities.

Engada Iruthinga Ivvalavu Naala is a Tamil movie by Kevin

In order to stop his classmates from bullying him, the protagonist, Kamiya Tooru, makes a false confession to a girl in his class, Hino Maori. Even though she knows that the confession is a lie, Maori says yes with the three rules: "Don't talk to me until after school," "Keep communication brief," and "Don't fall in love with each other". The two promise not to fall in love, but as they get to know each other, they find themselves drawn to each other. When Tooru finally couldn't hold back his feelings, Maori's words were unexpected.

"I have an anterograde amnesia, and I forget things when I sleep at night. Everything that's happened in a day". Her memories and experiences were reset every day, and she wrote down the day's events in a diary and woke up early in the morning to review them in order to keep her memory alive. Tooru is devoted to bringing her as much happiness as possible. However, such daily life did not last long. What is the "plan" that Tooru has devised to protect Maori's happiness? The raging climax and the fragile tenderness will wrap the world in warm tears once again.

Adapted from the novel "Konya, Sekai Kara Kono Koi ga Kietemo" (今夜、世界からこの恋が消えても) by Ichijo Misaki (一条岬).

I first saw this film at the Hong Kong International Film Festival in 1981 and have often looked for it since (without any luck). Of the 50 films I saw in those 16 days (including masterpieces by Angelopoulos, and Syberberg's Hitler, A Film From Germany), Yamada's simple story turned out to be my favorite. When it recently turned up in a 5-disk Yoji Yamada box set, I immediately ordered it. Well, the disk is very poor quality, a murky transfer with the widescreen compositions butchered by a truly wretched pan-and-scan job -- and yet the quality of the film still manages to shine through.

On its surface, there's nothing particularly remarkable about A Distant Cry From Spring. A widow struggles to maintain a small farm in a remote area of Hokkaido, fighting the elements and raising her young son. One brutally stormy night, a stranger appears at the door looking for shelter. Though wary, the widow offers him her hospitality. He leaves, but then returns in the spring and asks for work, desiring only room and board in return. What follows is the depiction of a slowly developing emotional bond set against a beautifully observed portrait of daily life on the farm, an endless round of backbreaking chores which constantly threaten to overwhelm the lonely woman.

There is nothing terribly surprising in the revelations which eventually emerge about the characters, but they are so finely drawn and their emotional lives resonate with such authenticity, that only a cold-blooded viewer could fail to be moved by the film's resolution.

Yamada is a master of emotional nuance and a brilliant observer of the small details of ordinary lives, which he obviously holds in some kind of awe, and in which he finds a kind of magic. He makes you feel for the characters without ever stooping to sentimentality or easy manipulation. His work deserves to be more widely known, and he certainly deserves better treatment from DVD distributors.

A divorced couple learns that the only way to save their little daughter Hehe, who suffers from a blood disease, is to have another child. Now both remarried, Mei Zhu and Xiao Lu are forced to test their love and their commitment to one another by putting their current relationships in danger. A story of parenthood, love, married life, betrayal, trust and giving, which touches upon changes in contemporary society and family life, as well as the moral and ethical dilemmas brought on by modernity.

A look at how two young lovers from totally different background cope with family and social pressure.

19-year old Ah Loong is in charge of a street stall selling pirated vcd's. Contrary to what you might expect someone of his social standing to be, Ah Loong is an incurable romantic with an unlikely hobby - he loves to read and write poetry. Quite contented to carry on being the Romeo of the slums, Ah Loong's life takes a sudden turn one day when a 16-year old Malay schoolgirl arrives at his stall in search of Wong Kar-Wai's films.

Set during the Mitr-Petchara era of Thai cinema, a troupe—full of dreams—travels all around the country peddling drugs and live-dubbing films.

Sparks fly when a fashion blogger in Bali meets a gifted shoemaker, leading her to question her commitment to her fiancé.