Asian Drama

Facing an unacceptable reality, a teacher is trying to reclaim relationships with his family, students and former friends. Reassessing his past, he contemplates how to go on with his life.

When the world is hit with a naturally occuring virus that spreads among all living things, humans begin to turn into insatiable zombies. In a blink, the world as we know it collapses. Furthermore, the few remaining survivors are unable to use the available food resources. They therefore develop a new crop to support themselves. Survivors depend on one profession, their only hope; someone in this profession must brave the dangers to send and recieve food and packages of necessities. These people are called Riders.

Saeba Ryo is a "sweeper" in the city of Tokyo. He works as a trouble shooter, cleaning the streets of vermin, and helping out desperate people. Sometimes he's a bodyguard, sometimes he's an assassin, whatever Ryo does he does it well. In fact, his only flaw is his hormones - he loves the ladies and sometimes turns into an idiot when he's near them. Thankfully he's got people like his partner Kaori Makimura to keep him in check.

(Source: Mangaupdates)

Adapted from the manga series "City Hunter" (シティーハンター) by Hojo Tsukasa (北条司).

Duration: 1 hr. 42 min.

Ratings: 8.1

After suffering from serial paranormal events, a wealthy family living in LA summons a young rising shaman duo Hwa Rim and Bong Gil to save the newborn of the family. Once they arrive, Hwa Rim senses a dark shadow of their ancestor has latched on the family in a so-called 'Grave Calling'.

In order to exhume the grave and relieve the ancestor, Hwa Rim seeks help from top-notch geomancer Sang Deok and mortician Yeong Geun. To their dismay, the four find the grave at a shady location in a remote village in Korea. Unaware of the consequences, the exhumation is carried out, unleashing a malevolent force buried underneath.

(Source: showbox.co.kr)

Duration: 2 hr. 13 min.

Content Rating: 15+ - Teens 15 or older

Following the collapse of his clan, unemployed samurai Hanshiro Tsugumo (Tatsuya Nakadai) arrives at the manor of Lord Iyi, begging to commit ritual suicide on his property. Iyi's clansmen, believing the desperate ronin is merely angling for charity, try to force him to eviscerate himself—but they have underestimated his honor and his past. Winner of the 1963 Cannes Film Festival's Special Jury Prize, Masaki Kobayashi's Harakiri is a scathing denouncement of feudal authority and hypocrisy. Part Review from Film Reference http://www.filmreference.com/Films-Se-Sno/Seppuku.html The recurrent image in Seppuku is of Tsugumo in his black robes (having refused the white ones appropriate to the ritual suicide), seated cross-legged on the white harakiri mat in the center of the courtyard, surrounded by the massed spears of the Iyi warriors, and speaking in calm, unhurried tones. Around this image of charged stillness, the action of the film proceeds through visual compositions of intense lyrical beauty: most notably in the duel between Tsugumo and Omadaka, finest of the Iyi swordsmen, breathtakingly staged as a formal ballet of stylized, sweeping gestures amid long wind-tossed grass. Kobayashi's coolly reticent camera perfectly matches the rhythms of his studied narrative, supported by Toru Takemitsu's evocative score and, in the central role, a performance of epic stature from Tatsuya Nakadai. My Opinion In my opinion this film is a masterpiece and equally as good as any Kurosawa film. I really cant praise this film enough, if you only see one Japanese classic by a master director try this one.

Three men on their way to monk-hood, don't realize the temple at which they will receive their ordination is cursed by the wrath of Pee Nak, a mythical giant snake.

(Source: IMDb)

Duration: 1 hr. 49 min.

Content Rating: 15+ - Teens 15 or older

Yen Shih-san is reputed to be a swordsman without equal and in a brief space of time kills several challengers, all of whom were also skillful swordsmen. One day, Miss Mu Yung Chiu-ti suddenly appears on the scene and proclaims that Third Master is the most superior swordsman, and that he has killed several hundred swordsmen all of whom had This martial arts spectacular showcases 20-year-old Erh Tung-sheng (a.k.a. Derek Yee). Even Variety noted: "Erh's charismatic screen presence should take him to superstardom like his older brother, David Chiang." The prediction proved correct, and his performance as ace swordsman Third Master is just what any producer would want. He fights evil, saves damsels in distress (including a kindhearted prostitute played by Chow Yun-fat's first wife, Yu An-an), and duels rival swordsmen to the, well, death

Part 1 of the Hanaoni trilogy. On her 16th birthday, Asagiri Kanna, a shy and bullied girl, is brought to a new school and told she's destined to marry the king of demons, Kaki Kitou. Neither of them is happy with this

Shikata Atsushi, Tadokoro Keita, and Kawabata Satoshi spent their childhood days as friends. As adults, they meet again due to a murder case. Atsushi works as a detective, Keita is a suspect and Satoshi is a victim. As they come face to face with the truth of the murder case, they must also confront their detested past, sealed within their minds until now.

Year 2000, in a province in the North, Anirut and Ram are young boys in Grade 3 who rarely talk to each other at school, have come to join the Boy Scout camp together for the last time in their lives. Entering this camp makes Anirut and Ram discover their identity upon which both of them must decide whether to keep this identity or let it pass over time.

Masato is a young ramen chef in Japan. After the sudden death of his emotionally distant father, returns to his birthplace, Singapore.

Martial arts master Huang Feihong, the father of martial arts, has a strong martial arts knowledge of Chinese medicine practitioners charity, a cavity blood, after the twists and turns in life after the shovel rape, practicing medicine, passing medical and...