Asian TV » movie » The Kingdom of Dreams and Madness
Name:

The Kingdom of Dreams and Madness (2013)

Other name:
Cast:
Genre: Documentary
Country: Japanese
Release year: 2013
Status: Completed
 
Meet the creative forces behind Studio Ghibli, the award-winning Japanese animation studio that is the focus of this absorbing documentary. Hayao Miyazaki, the director of such cinematic wonders as Princess Monokoke, Spirited Away and Howl’s Moving Castle is the centre point. He’s working on his latest, and perhaps his last film, The Wind Rises. The studio where he storyboards the entire film, and his dedicated team painstakingly draw each frame by hand, is cluttered, homely and apparently lacking any new technologies. On the other side of Tokyo, his colleague Isao Takahata is working on his latest opus. Producer and co-founder Toshio Suzuki shuffles between the two, expertly managing their distinct approaches and longtime rivalry. Director Mami Sunada, winner of SFF’s 2012 Audience Award for Best Documentary with Death of a Japanese Salesman, has captured the timelessness of the process, the brilliance and skill, and Miyazaki’s perverse, playful humour. Prepare to be enchanted by the genius of Studio Ghibli.
Comment
RANDOM
  • Ep 1 SUB

    Rocky Handsome (2016) (2016)

    Rocky Handsome (2016)
    Genre:
    Action, Crime, Drama
    Country:
    Indian
    Kabir, a young man who runs a pawn shop in Goa, befriends his little neighbour Naomi, a bright eight-year-old girl. After she gets abducted, he goes on a vengeful spree to get her back.
  • Ep 1 SUB

    O'oka Echizen: 50th Anniversary Special (2006)

    O'oka Echizen: 50th Anniversary Special
    Genre:
    Action, Drama
    Country:
    Japanese
    Magistrate O'oka Echizen has for many years dispensed justice and defended the common folk of Edo from corruption in high places. Now his city stands threatened by fire, and Echizen must organize Edo’s fire brigades to keep the people safe....
  • Ep 1 RAW

    Hajimete no Otsukai (2012)

    Hajimete no Otsukai
    Genre:
    Documentary
    Country:
    Japanese
    Hajimete no Otsukai is basically a show, where parents send their kids (Usually somewhere between 4 and 7 years) to run some errands. (It's mostly shopping). Also featured in those shows are various celebrities which are commenting the show and sometimes tell something about their own childhood. And don't worry about safety issues, the kids are being followed by a bunch of cameramen.
  • Ep 1 SUB

    Fake Guardians (2017)

    Fake Guardians
    Genre:
    Drama
    Country:
    Chinese
    the film is about In the bustling metropolis, three dodder heads (Zhang Yishan ornaments), know (Peng Bo ornaments), Liren (Duan Junhao ornaments), due to Li Wanyi (Hongjian Tao) construction companies in arrears of various remuneration and fees and Come together,...
  • Ep 1 SUB

    Montage (2013)

    Montage
    Genre:
    Detective, Drama, Investigation, Kidnapping, Mystery, Thriller
    Country:
    Korean
    A kidnapper disappeared 15 years ago without a trace. Five days before the case's statute of limitations expires, someone anonymously leaves a flower at the crime scene. A few days later, another kidnapping takes place using the same method on a similar target. Three people team up to solve the case before it's too late: the grandfather (Song Young-chang), who lost his granddaughter right in front of him, the mother (Uhm Jung-hwa), who has been searching for the person who abducted her daughter 15 years ago, and the detective with a guilty conscience (Kim Sang-kyung), who puts everything into this long-unsolved case.
  • Ep 1 SUB

    Suzzanna Buried Alive (2018) (2018)

    Suzzanna Buried Alive (2018)
    Genre:
    Horror
    Country:
    Other Asia

    In the spring of 1989, Satria, director of a cable manufacturing factory, and his wife Suzzanna are eagerly expecting their first child. At his plant, Satria invokes the chagrin of two of his workers, Umar and Jonal, who have been demanding wage raises. When Satria leaves for a business trip to Japan, Umar and Jonal conspire with two other dissatisfied co-workers, Dudun and Gino, to raid Satria's house. Suzzanna, who was watching a film outside, returns amid their burglary, and when they make noise, she investigates. Fighting the burglars panickedly, she ends unmasking them, and in another attempt to fight back, she is accidentally impaled on a sharp bamboo pole. Believing her dead, the culprits begin burying her, but are shocked to discover that she is still alive. Unwilling to go to prison, they nevertheless continue filling her grave, burying her alive.

    Suzzanna awakens inside her house and realizes that she to her shock has become a sundel bolong. When Satria returns shortly afterwards, Suzzanna, though torn by sadness, leaves him oblivious. However the house servants eventually discover her nature, and Suzzanna lets them flee the mansion. Seeking revenge, Suzzanna begins stalking her slayers one by one, starting with Dudun, whom she lures from his work dormitory into the factory to decapitate him. Umar, Jonal and Gino seek out the services of Gino's witch doctor uncle Mbah Turu, who declares that while it is taboo for a sundel bolong to directly kill someone, she can scare or trick them into making them kill themselves or each other. When Suzzanna haunts Jonal, he begins stabbing her, only to find that she has deceived him with an illusion into killing Gino. Umar, Jonal and Turu devises a plan to trap and exorcise her by destroying her home and killing her husband, since it is her love for him that keeps her spirit on Earth. After hearing village gossip about Suzzanna's hauntings, Satria is made fully aware of Suzzanna's condition when he reads from the Quran and she cries out in pain, as well as when he finds and unearths her body, but the same night Umar and Jonal lead a mob of villagers to the house, burning it.

    Jonal and Turu incapacitate Suzzanna by driving a kris into her head, then lure Satria into Turu's abode for the final stage of the exorcism, claiming that Suzzanna has been possessed by a demon. However, when Jonal tries to kill him, Satria realizes that this is really his wife, murdered by these men, and releases her. While Jonal and Turu flee into the woods, Satria fights and kills Umar, but is stabbed in the back. Suzzanna chases down Turu, blinding him and causing him to impale his head on a pointed tree branch, and then kills Jonal by burying him alive. By personally slaying a human, Suzzanna's ties to the Earth are severed, and she dies in Satria's arms after they exchange sorrowful goodbyes. Soon, however, Satria discovers that his wound is fatal, and he dies as well, rejoining his wife in the afterlife.

  • Ep 1 RAW

    Saigo no Inochi (2014) (2014)

    Saigo no Inochi (2014)
    Genre:
    Investigation, Mystery, Novel, Suspense, Thriller
    Country:
    Japanese
    Keito Myose (Yuya Yagira) and Yuichi Saeki (Masato Yano) were involved in a horrible case when they were young. They are now all grown up, but still suffering from that incident. At night, Keito and Yuichi meet again. A woman who is an acquaintance of Keito is killed in Keito's room. While the police investigates, a detective tells him "... you know Yuichi Saeki is a suspect and is on the country's most wanted list..."
  • Ep 2 SUB

    Dust In The Wind (1986)

    Dust In The Wind
    Genre:
    Drama, Romance
    Country:
    Taiwanese
    The sublime opening sequence of Dust in the Wind follows a nearly imperceptible diffused white speck - perhaps the referential "dust" of the film's evocative title - as it momentarily shifts location near the center of the frame then continues on its inexorable course, gradually converging to reveal a light at the end of a tunnel from onboard a lumbering passenger train. It is an indelible metaphor for what would prove to be the bittersweet experience of first love in the lives of the two high school students commuting on the train: a pensive and diligent young man named Wan (Wang Jingwen) and his reticent, devoted girlfriend Huen (Xin Shufen). Faced with limited opportunity for his academic competency beyond handwriting dictated letters for illiterate neighbors in the bucolic peasant village (a seemingly inescapable reality reinforced by his father's comment, "If you want to be a cow, there will always be a plow for you."wink.gif, Wan decides to forgo his senior high school education and move to Taipei. Finding work as a printing press operator at a modest, family-run shop during the day - a job that was only made palatable by his unlimited opportunity to read the assortment of literature being published while typesetting - Wan is determined to further his education by attending evening classes, and strives to forge a career beyond the socio-economic sphere of his provincial coal mining hometown (where a night of carousing for the miners invariably ends up in a comic display of masculine competition involving the displacement of large rocks onto the street). After graduation, the less scholarly Huen follows Wan to Taipei and obtains a respectable job as a seamstress at a dressmaking shop that includes room and board, allowing her to occasionally send money home to her family. The film then follows the plight of the young couple as they drift through the waning days of adolescence between their humble work lives in Taipei and periodic visits to their hometown, reluctantly awaiting Wan's inevitable military conscription with the reassurring knowledge that they will be able to marry after completing his compulsory service.